๐ฆ๐ถ๐ป๐ด๐น๐ฒ ๐ฎ๐ป๐ฑ ๐ฉ๐ถ๐ฑ๐ฒ๐ผ ๐ฅ๐ฒ๐น๐ฒ๐ฎ๐๐ฒ: ๐ก๐๐ฅ๐ฉ๐ข๐ฆ๐ – ๐๐๐ข๐ฆ๐ง ๐ก๐ข๐ง๐๐ฆ
Metal heroines NERVOSA unleash a new single from their upcoming album, Slave Machine, out on April 3 via Napalm Records.
โGhost Notesโ lets loose a storm of heavy, yet easily recognizable riffs, driven by impelling drums and the ever-so-furious vocals of Prika Amaral. Culminating in a powerful guitar solo, โGhost Notesโ shows yet another side of the versatile Brazilian thrash band.
Once again working with producer Martin Furia of German legends DESTRUCTION for their upcoming release, the women bridge the gap between old-school power and critical modernity. NERVOSA are ready for a fierce new era!
NERVOSA about โGhost Notesโ:
โStrong and heavy riffs with a lot of groove showing deep feelings in a very poetic way, this song is definitely special in many ways.โ
NERVOSA unleash another round of fury on their new album, Slave Machine, out April 3 via Napalm Records. Their sixth album shows the Brazilian modern thrash metal band releasing their inner beasts at staggering speed and with formidable emphasis. Having performed at the biggest metal festivals worldwide, from Wacken to Hellfest, and making a lasting impression on fans and critics alike, NERVOSA aims to consolidate their standing as genre frontrunners. With founding guitarist Prika Amaral established as their new singer with their previous record, Jailbreak (2023), they tear through the scene with the force of a sledgehammer.
NERVOSA erupts as a metal volcano with their latest record. Never settling, always exploring, one staggering riff after another, Slave Machine is a crushing statementโit comes, sees, and conquers.
NERVOSA about Slave Machine:
โSlave Machine is the most brutal and melodic album of NERVOSA, and we are proud to take this step further, keeping our roots.โ
Get Your Copy Of Slave Machine NOW napalmrecords.us/collections/nervosa
12 new songs show the five-piece exploring their crushing style in an enhanced way. Opener โImpending Doomโ builds up menacingly, using thunderous riffs and jagged drums to establish the womenโs dominance in the scene. The title track, โSlave Machine,โ instantly turns up the speed and adds a surprising alternative bridge to the already catchy chorus, showing a slightly different side of the metal powerhouses. The follower โGhost Notesโ unleashes a storm of heavy, yet easily recognizable riffs, driven by impelling drums and the ever-so furious vocals of Prika Amaral, crowned by an astounding guitar solo. Through โBeast Of Burden,โ NERVOSA show their harshest side, while โYou Are Not A Heroโ offers a grand chorus, gifting Slave Machine a true anthem. โHateโ unfolds with raw brutality, and โThe New Empireโ looks for destruction with melodic precision. โ30 Secondsโ rises up to new heights, while โCrawl For Your Prideโ combines NERVOSAโs trademark social criticism with gut-punching songwriting. Throughout โLearn Or Repeatโ and โThe Call,โ the band once again sprinkles in some pieces of modern groove with old-school vibes before Slave Machine rears up one final time on the threateningly sinister โSpeak In Fire.โ
Slave Machine will be available in the following formats:
โ 2LP Gatefold Splatter Cristallo/Black + Black, incl. 12โณ Black Vinyl + 12โณ Booklet โ strictly limited to 300 copies worldwide
โ 1LP Gatefold Marbled Black Smoke โ strictly limited to 100 copies (North America exclusive)
โ 1LP Gatefold BLACK
โ MC โ strictly limited to 100 copies worldwide
โ1CD Digipak + Shirt Bundle
โ 1CD Digipak
โ Digital Album
———
๐๐ฟ๐ผ๐บ:
knac.com/nervosa-newvideo-ghostnotes/
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
www.youtube.com/watch?v=MOy-DJ7GDj0
———
#Colderra
#ColderraMusic
#MusicReview
#ThrashMetal
#DeathMetal
#Nervosa
#GhostNotes
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NERVOSA – Ghost Notes (Official Video) | Napalm Records
www.youtube.com
New Album via Napalm Records โ Slave Machine Releases April 3, 2026!Pre-Order here: lnk.to/Nervosa-SlaveMachineThe second single Ghost Notes is the g… ๐ฆ๐ถ๐ป๐ด๐น๐ฒ ๐ฎ๐ป๐ฑ ๐ฉ๐ถ๐ฑ๐ฒ๐ผ ๐ฅ๐ฒ๐น๐ฒ๐ฎ๐๐ฒ: ๐๐ข๐ ๐ฆ๐๐ง๐ฅ๐๐๐ก๐ & ๐ฆ๐ง๐๐ฉ๐ ๐ฉ๐๐ – ๐๐๐ก๐๐๐ก๐
Small’s appearance in the new SatchVai music video isn’t his first collaboration with the two virtuosos. They cropped up on his cult animated TV series, Metalocalypse, and have since become mentors.
When Guitar World scheduled an interview with Dethklok mastermind Brendon Small, we had no idea that a few hours prior, Joe Satriani and Steve Vai had premiered their latest SatchVai music video, for their new single, Dancing.
In the comical clip, Small portrays a misguided manager who tries to convince the guitarists of the importance of โmotionโ and โenergy,โ which leads to a series of auditions by a wave of impressive dancers as the duo perform in a school gymnasium.
The video isnโt Smallโs first collaboration with Satriani and Vai, as both served as guest voice actors on Smallโs cult animated TV series, Metalocalypse. Since then, Small explains, both guitarists have proceeded to serve as mentors.
โWhen I was discovering guitar, Flying In A Blue Dream was about to come out and Passion and Warfare had just come out, so I was in guitar heaven,โ Small says.
โJoe’s music is so creative, and his [sense of] harmony and melody are so strong. I think he’s one of the great songwriters, and I could say the same thing for Steve. It felt like they were playing these kind of dream melodies in this dream universe.โ
Years later, Small met the pair at a Guitar Player-sponsored competition (โthey put me on as the funny guy at a dais, where I would just make jokes the whole timeโ), where they โbecame very friendly, very easily, very quickly,โ he says. Soon after, Satriani left an indirect stamp on Dethklokโs music.
โJoe actually helped me find guitar sounds for Dethalbum II,โ Small explains. โI had just finished Dethalbum I and was working on Dethalbum II, and he said, โWhere are you at with the process?โ I go, โWell, Iโve run out of studio time, so I’m doing overdubs from my home studio.โ He goes, โWhat are you using to record the guitar?โ I said, โI’m using my Line 6 POD,โ and he goes, โIโve got something that may work better.โ
โHe asked me for my address, and he sent me two things in the mail,โ Small continues. โOne was his new distortion pedal, the Satchurator, and he [also] sent me his old Palmer cabinet simulator, because I didn’t have an amp mic room or anything. And he said, โGet this stuff set up, and then give me a call.โ
โLater, I found myself on the phone with Joe Satriani, and he’s kind of giving me tech support and showing me, like, โHey, this filter knob โ that’s going to be your best friend,โโ Small continues.
โSteve Vai has done similar things for me. Both of them have been mentors to me in many different ways โ musically, business-wise, financially, all kinds of stuff. Steve gives such great advice, and so does Joe. Joe’s a natural teacher, and so is Steve.โ
While Small says he had a blast filming the Dancing video, his favorite moments on set were off-camera.
โThere’s a lot of downtime on a video set โ they’re shooting all these dancers and everything โ so we were huddled in a corner just talking the whole time,โ he says. โFor me, it was one of the most glorious days because there are my two guitar heroes, and we’re just talking about the inner game of guitar the whole time.
โIt’s really funny, because in the world that I’ve kind of carved out for myself โ which is part-time producer/director/writer, and then part-time musician โ while I’m doing one, the other atrophies. So while I’m directing a movie or something, my guitar playing is just kind of going, like, โAll right โ you’re on hold. I’ll get back to you in a while.โ
โI noticed that some parts of my guitar playing had atrophied over the years, and some parts had gotten better,โ Small explains. โI took a lesson last year with Jason Richardson, and [as] I sat with Joe and Steve, I talked about how I kind of took my guitar-playing apart and cleaned the engine and put it back together again. They were very curious about that โ โHow does that work? How are your muscles working?โ
โI’m talking to these guys who are kind of the statesmen of the entire guitar industry, and they’re giving me really great advice. Steve Vaiโs giving me posture advice. All this stuff, I’m taking in like a sponge, because it’s a different game of guitar. It’s the mental game of guitar, and Steve had a lot to say about that, and so did Joe. That day was pretty amazing.โ
The complete Guitar World interview with Small โ whose band Dethklok will soon join forces with Swedish viking metal warriors Amon Amarth on the North American โAmonklok Conquestโ tour โ will be published in the coming weeks.
———
๐๐ฟ๐ผ๐บ:
www.guitarworld.com/artists/guitarists/brendon-small-satchvai-dancing-video
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
www.youtube.com/watch?v=LVm1Z3am6qI
———
#Colderra
#ColderraMusic
#MusicReview
#JoeSatriani
#SteveVai
#Dancing
Small’s appearance in the new SatchVai music video isn’t his first collaboration with the two virtuosos. They cropped up on his cult animated TV series, Metalocalypse, and have since become mentors.
When Guitar World scheduled an interview with Dethklok mastermind Brendon Small, we had no idea that a few hours prior, Joe Satriani and Steve Vai had premiered their latest SatchVai music video, for their new single, Dancing.
In the comical clip, Small portrays a misguided manager who tries to convince the guitarists of the importance of โmotionโ and โenergy,โ which leads to a series of auditions by a wave of impressive dancers as the duo perform in a school gymnasium.
The video isnโt Smallโs first collaboration with Satriani and Vai, as both served as guest voice actors on Smallโs cult animated TV series, Metalocalypse. Since then, Small explains, both guitarists have proceeded to serve as mentors.
โWhen I was discovering guitar, Flying In A Blue Dream was about to come out and Passion and Warfare had just come out, so I was in guitar heaven,โ Small says.
โJoe’s music is so creative, and his [sense of] harmony and melody are so strong. I think he’s one of the great songwriters, and I could say the same thing for Steve. It felt like they were playing these kind of dream melodies in this dream universe.โ
Years later, Small met the pair at a Guitar Player-sponsored competition (โthey put me on as the funny guy at a dais, where I would just make jokes the whole timeโ), where they โbecame very friendly, very easily, very quickly,โ he says. Soon after, Satriani left an indirect stamp on Dethklokโs music.
โJoe actually helped me find guitar sounds for Dethalbum II,โ Small explains. โI had just finished Dethalbum I and was working on Dethalbum II, and he said, โWhere are you at with the process?โ I go, โWell, Iโve run out of studio time, so I’m doing overdubs from my home studio.โ He goes, โWhat are you using to record the guitar?โ I said, โI’m using my Line 6 POD,โ and he goes, โIโve got something that may work better.โ
โHe asked me for my address, and he sent me two things in the mail,โ Small continues. โOne was his new distortion pedal, the Satchurator, and he [also] sent me his old Palmer cabinet simulator, because I didn’t have an amp mic room or anything. And he said, โGet this stuff set up, and then give me a call.โ
โLater, I found myself on the phone with Joe Satriani, and he’s kind of giving me tech support and showing me, like, โHey, this filter knob โ that’s going to be your best friend,โโ Small continues.
โSteve Vai has done similar things for me. Both of them have been mentors to me in many different ways โ musically, business-wise, financially, all kinds of stuff. Steve gives such great advice, and so does Joe. Joe’s a natural teacher, and so is Steve.โ
While Small says he had a blast filming the Dancing video, his favorite moments on set were off-camera.
โThere’s a lot of downtime on a video set โ they’re shooting all these dancers and everything โ so we were huddled in a corner just talking the whole time,โ he says. โFor me, it was one of the most glorious days because there are my two guitar heroes, and we’re just talking about the inner game of guitar the whole time.
โIt’s really funny, because in the world that I’ve kind of carved out for myself โ which is part-time producer/director/writer, and then part-time musician โ while I’m doing one, the other atrophies. So while I’m directing a movie or something, my guitar playing is just kind of going, like, โAll right โ you’re on hold. I’ll get back to you in a while.โ
โI noticed that some parts of my guitar playing had atrophied over the years, and some parts had gotten better,โ Small explains. โI took a lesson last year with Jason Richardson, and [as] I sat with Joe and Steve, I talked about how I kind of took my guitar-playing apart and cleaned the engine and put it back together again. They were very curious about that โ โHow does that work? How are your muscles working?โ
โI’m talking to these guys who are kind of the statesmen of the entire guitar industry, and they’re giving me really great advice. Steve Vaiโs giving me posture advice. All this stuff, I’m taking in like a sponge, because it’s a different game of guitar. It’s the mental game of guitar, and Steve had a lot to say about that, and so did Joe. That day was pretty amazing.โ
The complete Guitar World interview with Small โ whose band Dethklok will soon join forces with Swedish viking metal warriors Amon Amarth on the North American โAmonklok Conquestโ tour โ will be published in the coming weeks.
———
๐๐ฟ๐ผ๐บ:
www.guitarworld.com/artists/guitarists/brendon-small-satchvai-dancing-video
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
www.youtube.com/watch?v=LVm1Z3am6qI
———
#Colderra
#ColderraMusic
#MusicReview
#JoeSatriani
#SteveVai
#Dancing
Joe Satriani & Steve Vai – ‘Dancing’ (Official Video)
www.youtube.com
New single Out March 2nd: satchvai.lnk.to/dancingYTThe bandโs new single โDancingโ marks the latest chapter in SATCHVAI Bandโs creative evolution. I… ๐๐น๐ฏ๐๐บ ๐ฅ๐ฒ๐๐ถ๐ฒ๐: ๐๐ฅ๐๐ฌ๐๐๐ช๐ โ ๐ช๐๐ฅ๐ฅ๐๐ข๐ฅ๐ฆ ๐ข๐ ๐๐ฅ๐๐ฌ๐๐๐ช๐
I firmly remember Chris giving me the first GREYHAWK album for a review back in mid 2020. They were the newest heavy/epic metal sensation, with only an EP at their side but they still had to work their way to the โpremier leagueโ of the new wave of heavy metal bands. While the album itself was promising, it had one of the best songs of that year (that would be the magnificent โKeepers of the Flameโ title track) and a promise for the future. As for the bandโs second album โThunderheartโ, I have to confess that I missed this one, due to lack of time and a great number of monthly releases.
Yet, I am now more than happy to see that GREYHAWK not only moved to CRUZ DEL SUR label (happy because Cruz Del Sur has a distributor on Greece :)) but also they provide us with their latest effort called โWarriors of Greyhawkโ.
Well first things first, GREYHAWK of 2026 are not quite the same, since 2/5 of the band has changed, therefore โWarriors of Greyhawkโ introduce us Anthony Corso as the new singer of the band and with him a swift towards more European Power Metal sound. Yes, there were some bits and traces in the debut, but now its the leading sound of the band, as if primary influences like early PRETTY MAIDS, STRATOVARIUS, RUNNING WILD or HEAVENโS GATE were the bandโs members main playlist all these years: fast melodic songs with uptempo catchy choruses, what more could someone ask for?
The bandโs seems to love late 80โs and mid 90โs power-metal sounds and songs like โLand of Ashesโ, โTake a standโ or โEmberโs Riseโ prove that. HELLOWEEN, GAMMA RAY and IRON SAVIOR pop up here and there, for example โEndless Raceโ or โAscensionโ could easily be penned from the aforementioned artists.
The neoclassical solos that were featured in the first album are now almost gone, but fear not, guitar work is more than adequate. In fact, songs are adventurous enough to feature neoclassical or even AOR elements, mostly in the form of discreet keyboards or in the aspect of more melodic songs of the album, like โChosenโ or โEternal Questโ, but do not worry, there are not any โpopโ themes, and these songs do not draw away from the bandโs general music direction.
Needless to say that the band hasnโt lost its epic filling,and the anthemic song โWarrios of Greayhawkโ is there to prove it. Suffice to say that this one has a distinct DIO feeling as if it came out from โDream Evilโ era.
To sum up, Iโd say that this albums was a pleasant surprise for me. I had lost touch with the band but this one rekindled the flame and Iโd surely take a listen to their previous effort. If you are into dungeons and dragons, fantasy or power metal, the way it used to make us happy, this is a must listen album.
โWarriorsโ of Greyhawkโ will be released on the 13th of February 2026 by Cruz del Sur Music and will be available on LP, CD, MC and Digital format.
———
๐๐ฟ๐ผ๐บ:
www.forgotten-scroll.net/metal-reviews/warriors-of-greyhawk/
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
greyhawkmetal.bandcamp.com/album/warriors-of-greyhawk
———
#Colderra
#ColderraMusic
#MusicReview
#PowerMetal
#HeavyMetal
#Greyhawk
#WarriorsofGreyhawk11 track album
I firmly remember Chris giving me the first GREYHAWK album for a review back in mid 2020. They were the newest heavy/epic metal sensation, with only an EP at their side but they still had to work their way to the โpremier leagueโ of the new wave of heavy metal bands. While the album itself was promising, it had one of the best songs of that year (that would be the magnificent โKeepers of the Flameโ title track) and a promise for the future. As for the bandโs second album โThunderheartโ, I have to confess that I missed this one, due to lack of time and a great number of monthly releases.
Yet, I am now more than happy to see that GREYHAWK not only moved to CRUZ DEL SUR label (happy because Cruz Del Sur has a distributor on Greece :)) but also they provide us with their latest effort called โWarriors of Greyhawkโ.
Well first things first, GREYHAWK of 2026 are not quite the same, since 2/5 of the band has changed, therefore โWarriors of Greyhawkโ introduce us Anthony Corso as the new singer of the band and with him a swift towards more European Power Metal sound. Yes, there were some bits and traces in the debut, but now its the leading sound of the band, as if primary influences like early PRETTY MAIDS, STRATOVARIUS, RUNNING WILD or HEAVENโS GATE were the bandโs members main playlist all these years: fast melodic songs with uptempo catchy choruses, what more could someone ask for?
The bandโs seems to love late 80โs and mid 90โs power-metal sounds and songs like โLand of Ashesโ, โTake a standโ or โEmberโs Riseโ prove that. HELLOWEEN, GAMMA RAY and IRON SAVIOR pop up here and there, for example โEndless Raceโ or โAscensionโ could easily be penned from the aforementioned artists.
The neoclassical solos that were featured in the first album are now almost gone, but fear not, guitar work is more than adequate. In fact, songs are adventurous enough to feature neoclassical or even AOR elements, mostly in the form of discreet keyboards or in the aspect of more melodic songs of the album, like โChosenโ or โEternal Questโ, but do not worry, there are not any โpopโ themes, and these songs do not draw away from the bandโs general music direction.
Needless to say that the band hasnโt lost its epic filling,and the anthemic song โWarrios of Greayhawkโ is there to prove it. Suffice to say that this one has a distinct DIO feeling as if it came out from โDream Evilโ era.
To sum up, Iโd say that this albums was a pleasant surprise for me. I had lost touch with the band but this one rekindled the flame and Iโd surely take a listen to their previous effort. If you are into dungeons and dragons, fantasy or power metal, the way it used to make us happy, this is a must listen album.
โWarriorsโ of Greyhawkโ will be released on the 13th of February 2026 by Cruz del Sur Music and will be available on LP, CD, MC and Digital format.
———
๐๐ฟ๐ผ๐บ:
www.forgotten-scroll.net/metal-reviews/warriors-of-greyhawk/
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
greyhawkmetal.bandcamp.com/album/warriors-of-greyhawk
———
#Colderra
#ColderraMusic
#MusicReview
#PowerMetal
#HeavyMetal
#Greyhawk
#WarriorsofGreyhawk11 track album
๐๐น๐ฏ๐๐บ ๐ฅ๐ฒ๐๐ถ๐ฒ๐: ๐๐๐ฅ๐ฅ๐๐๐๐ก โ ๐ช๐๐ฌ๐๐๐ฅ๐๐ฅ
Well, it seems that the need for new music sensations never really settles down, therefore I am always in when it comes to new albums, whether be the return of a cult 80โs legend or a promising new act. KERRIGAN appeared a couple of years ago, and their debut album โBloodmoonโ which proved to be and interesting and enduring work of art, and since one (album) is not enough they are back with a new one.
โWayfarerโ takes off where โBloodmoonโ finishes: Sharp riffing deeply rooted in the 80โs and the underground 90s combined with eerie somehow ghostly vocals, bet let be more specific. Kick off track โTorchbearerโ starts with a harmonic lead reminding me of post 2000 RUNNING WILD (โRogues en Vogueโ era) while the song structure is closer to bands like HAUNT or early IN SOLITUDE. Following song โAsylumโ is quicker, more power metalish while โIce Witchโ is mid-tempo, with a memorable chorus.
The album progresses with songs that roam in that kind of music spectrum: โBlood and steelโ is your mid-tempo, sing along 80โs โcheesyโ metal anthem while the title track and โDystopiaโ flirt with 90โs or early 00โs European power metal: influences from bands like CRYSTAL EYES, THE STORYTELLER or STRATOVARIUS pop up here and there, blended with more classic sounds of RUNNING WILD, HELLOWEEN and SCANNER (second album era).
Musically, now, I believe that the guitar work is the strong part of the album: riffs are sharp, dominant and one of the key parts to KERRIGANโs sound, while the other part is the vocals: Weberโs voice is quite unique, far from your usual high pitched metal vocalist. Down to earth somehow soft and expressive, its quite sentimental while the lack of power provides an otherworldly eerie atmosphere that I found thrilling.
โWayfarerโ is not your usual metal album, and it shouldnโt be. In a world where eight out of ten albums, sounds exactly the same, this one strays off the beaten path towards a more demanding, elaborated sound. I found that quite a challenge for both the band and the listener.
โWayfarerโ will be released on the 27th of March 2026 by High Roller Records and will be available on LP, CD, MC and Digital format.
———
๐๐ฟ๐ผ๐บ:
www.forgotten-scroll.net/metal-reviews/wayfarer/
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
kerriganheavymetal.bandcamp.com/album/wayfarer
———
#Colderra
#ColderraMusic
#MusicReview
#HeavyMetal
#Kerrigan
#Wayfarer9 track album
Well, it seems that the need for new music sensations never really settles down, therefore I am always in when it comes to new albums, whether be the return of a cult 80โs legend or a promising new act. KERRIGAN appeared a couple of years ago, and their debut album โBloodmoonโ which proved to be and interesting and enduring work of art, and since one (album) is not enough they are back with a new one.
โWayfarerโ takes off where โBloodmoonโ finishes: Sharp riffing deeply rooted in the 80โs and the underground 90s combined with eerie somehow ghostly vocals, bet let be more specific. Kick off track โTorchbearerโ starts with a harmonic lead reminding me of post 2000 RUNNING WILD (โRogues en Vogueโ era) while the song structure is closer to bands like HAUNT or early IN SOLITUDE. Following song โAsylumโ is quicker, more power metalish while โIce Witchโ is mid-tempo, with a memorable chorus.
The album progresses with songs that roam in that kind of music spectrum: โBlood and steelโ is your mid-tempo, sing along 80โs โcheesyโ metal anthem while the title track and โDystopiaโ flirt with 90โs or early 00โs European power metal: influences from bands like CRYSTAL EYES, THE STORYTELLER or STRATOVARIUS pop up here and there, blended with more classic sounds of RUNNING WILD, HELLOWEEN and SCANNER (second album era).
Musically, now, I believe that the guitar work is the strong part of the album: riffs are sharp, dominant and one of the key parts to KERRIGANโs sound, while the other part is the vocals: Weberโs voice is quite unique, far from your usual high pitched metal vocalist. Down to earth somehow soft and expressive, its quite sentimental while the lack of power provides an otherworldly eerie atmosphere that I found thrilling.
โWayfarerโ is not your usual metal album, and it shouldnโt be. In a world where eight out of ten albums, sounds exactly the same, this one strays off the beaten path towards a more demanding, elaborated sound. I found that quite a challenge for both the band and the listener.
โWayfarerโ will be released on the 27th of March 2026 by High Roller Records and will be available on LP, CD, MC and Digital format.
———
๐๐ฟ๐ผ๐บ:
www.forgotten-scroll.net/metal-reviews/wayfarer/
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
kerriganheavymetal.bandcamp.com/album/wayfarer
———
#Colderra
#ColderraMusic
#MusicReview
#HeavyMetal
#Kerrigan
#Wayfarer9 track album
๐ฆ๐ถ๐ป๐ด๐น๐ฒ ๐ฎ๐ป๐ฑ ๐ฉ๐ถ๐ฑ๐ฒ๐ผ ๐ฅ๐ฒ๐น๐ฒ๐ฎ๐๐ฒ: ๐๐ฅ๐ข๐ญ๐๐ก ๐ฆ๐ข๐จ๐ – ๐ก๐ข ๐ฃ๐๐๐๐ ๐ข๐ ๐ช๐๐ฅ๐ ๐ง๐ (๐๐๐๐ง. ๐๐๐ฅ๐๐ฅ๐ ๐ช๐๐ฌ)
Frozen Soul have shared an official video for their new single โNo Place Of Warmth.โ That song features Gerard Way (My Chemical Romance) and it will serve as the title track of the band’s new album, which will be available on May 8.
Vocalist Chad Green said the following about the single:
โ[Itโs] about life at its coldest and the choice you have to let it consume you, or to use it to find warmth in a world that feels void of it. Life is always coming at you, and death doesnโt stopโyou might slow it down, but itโs always comingโso you have to make the best out of it and march on.โ
He also commented on working with Way:
โWe met Gerard a couple of years ago and have become friends. I knew he had a love for metal, so I spun the idea to him about singing in a Frozen Soul song and he was stoked! Gerard is an amazing artist and musician whose creative vision has shaped generations and more to come.โ
Green also added the following about the album:
โEach song on this record has its own meaning and influences that helped make them what they are, but in their essence are written to give the listener that extra push and power they need to fight those everyday battles. These songs are built to say โWe wonโt be swept away by its winds; we can and we will move forward.โโ
He also discussed the various guest features, which include Way, Devin Swank (Sanguisugabogg) and Robb Flynn (Machine Head):
โAnytime we have features, itโs with friends and bands that we love and respect who share the same feelings and emotion that weโre trying to get across in the song. Gerard, Rob and Devin all added their own unique styles and love into the songs and really helped bring them to life. It was an absolute pleasure working with them.โ
โNo Place Of Warmthโ Track Listing:
01. โNo Place Of Warmthโ (feat. Gerard Way)
02. โInvoke War (feat. Robb Flynn)
03. โAbsolute Zeroโ
04. โDreadnoughtโ (feat. Devin Swank)
05. โChaos Will Reignโ
06. โEyes Of Despairโ
07. โEthereal Dreamsโ
08. โSkinned By The Windโ
09. โDEATHWEAVERโ
10. โFrost Forgedโ
11. โKillin Time (Until Itโs Time To Kill)โ
———
๐๐ฟ๐ผ๐บ:
killthemusic.net/blog/frozen-soul-share-video-for-no-place-of-warmth-featuring-my-chemical-romanc…
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
www.youtube.com/watch?v=RR7gvLGpDms
———
#Colderra
#ColderraMusic
#MusicReview
#DeathMetal
#FrozenSoul
#NoPlaceOfWarmth
Frozen Soul have shared an official video for their new single โNo Place Of Warmth.โ That song features Gerard Way (My Chemical Romance) and it will serve as the title track of the band’s new album, which will be available on May 8.
Vocalist Chad Green said the following about the single:
โ[Itโs] about life at its coldest and the choice you have to let it consume you, or to use it to find warmth in a world that feels void of it. Life is always coming at you, and death doesnโt stopโyou might slow it down, but itโs always comingโso you have to make the best out of it and march on.โ
He also commented on working with Way:
โWe met Gerard a couple of years ago and have become friends. I knew he had a love for metal, so I spun the idea to him about singing in a Frozen Soul song and he was stoked! Gerard is an amazing artist and musician whose creative vision has shaped generations and more to come.โ
Green also added the following about the album:
โEach song on this record has its own meaning and influences that helped make them what they are, but in their essence are written to give the listener that extra push and power they need to fight those everyday battles. These songs are built to say โWe wonโt be swept away by its winds; we can and we will move forward.โโ
He also discussed the various guest features, which include Way, Devin Swank (Sanguisugabogg) and Robb Flynn (Machine Head):
โAnytime we have features, itโs with friends and bands that we love and respect who share the same feelings and emotion that weโre trying to get across in the song. Gerard, Rob and Devin all added their own unique styles and love into the songs and really helped bring them to life. It was an absolute pleasure working with them.โ
โNo Place Of Warmthโ Track Listing:
01. โNo Place Of Warmthโ (feat. Gerard Way)
02. โInvoke War (feat. Robb Flynn)
03. โAbsolute Zeroโ
04. โDreadnoughtโ (feat. Devin Swank)
05. โChaos Will Reignโ
06. โEyes Of Despairโ
07. โEthereal Dreamsโ
08. โSkinned By The Windโ
09. โDEATHWEAVERโ
10. โFrost Forgedโ
11. โKillin Time (Until Itโs Time To Kill)โ
———
๐๐ฟ๐ผ๐บ:
killthemusic.net/blog/frozen-soul-share-video-for-no-place-of-warmth-featuring-my-chemical-romanc…
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
www.youtube.com/watch?v=RR7gvLGpDms
———
#Colderra
#ColderraMusic
#MusicReview
#DeathMetal
#FrozenSoul
#NoPlaceOfWarmth
FROZEN SOUL – No Place Of Warmth (Feat. Gerard Way) (OFFICIAL VIDEO)
www.youtube.com
FROZEN SOUL – No Place Of Warmth (Feat. Gerard Way) (OFFICIAL VIDEO)New single "No Place Of Warmth (Feat. Gerard Way)" from Frozen SoulTaken from the album โ… ๐ฆ๐ถ๐ป๐ด๐น๐ฒ ๐ฎ๐ป๐ฑ ๐ฉ๐ถ๐ฑ๐ฒ๐ผ ๐ฅ๐ฒ๐น๐ฒ๐ฎ๐๐ฒ: ๐๐๐ข๐ข๐๐๐ข๐จ๐ก๐ – ๐ง๐๐ ๐ก๐๐ก๐ ๐๐ฅ๐จ๐ฆ๐๐๐๐ฆ (๐๐๐๐ง. ๐๐ฅ๐๐ง๐ง๐ก๐๐ฌ ๐ฆ๐๐๐ฌ๐๐ฆ)
Having ridden into their latest battle with their eleventh epic full-length Field Of Swords, Swedish power metal warriors BLOODBOUND have released another video single from the album. โThe Nine Crusadesโ is another historically themed anthem, retelling the titular events in typical BLOODBOUND style: a sweeping blend of melodic and heavy power metal. Joining their conquest is powerhouse vocalist Brittney Slayes of Canadian band UNLEASH THE ARCHERS, dueting with Patrik J. Selleby in a glorious mid-tempo anthem. Not only is โThe Nine Crusadesโ the perfect album closer, but also a powerful herald of whatโs to come.
BLOODBOUND are currently getting ready to share their new songs live. Starting March 12 in Hamburg, they will be on tour supporting label mates ANGUS MCSIX, with additional support from Brainstorm. Their run will take them to eleven cities, ending in Eindhoven on March 22. Following, BLOODBOUND will play European festivals, including mountainous Full Metal Mayrhofen, organized by Wacken Open Air, and Alcatraz Festival in Belgium. Find the full list of dates below!
Fredrik Bergh about โThe Nine Crusadesโ:
โThe major part of this song was actually written by myself and Tomas back in 2018, and it was written especially for the band Sabaton! Joakim Brodรฉn from Sabaton liked the rough demo and wanted to work further on this song together with us, but the collaboration never materialized. I have always felt it was a very strong track, so we decided to record the song ourselves for the new album instead. I am super proud of this song. I feel itโs one of the best songs Iโve ever been involved in writing! The song features the great Brittney Slayes from UNLEASH THE ARCHERS, who sings the song as a duet together with Patrik.โ
Tomas Olsson about โThe Nine Crusadesโ:
โThis song is a summation of the Crusader era, 1096โ1291. During this period nine crusades took place. It is estimated that over 2 million people died.โ
Brittney Slayes about โThe Nine Crusadesโ:
โIt is such an honour to be featured on this BLOODBOUND track; I have been a fan of the band for well over a decade so when they approached me about doing some guest vocals of course the answer was a resounding yes! This song is quite different from what we do in UNLEASH THE ARCHERS, and is not at all like my own writing style, so I was excited to be able sing something new and to put my own spin on it. The whole collaboration had been a blast, and Iโm glad I was able to make it into the music video as well; it was very nice of them to include me. Hopefully the fans enjoy this song and feel I added something worthwhile to this already amazing band!โ
BLOODBOUNDโs latest triumphant march impressively illustrates the importance of purpose and perseverance with heroic tales in shining heavy metal armor. Valiant, vigorous, and ultimately victorious: Field Of Swords has come to expand BLOODBOUNDโs domination of the scene!
Fredrik Bergh on Field Of Swords:
โField Of Swords is a concept album, a continuation from our last album Tales From The North (2023) which touched upon the subject of the Viking era. On Field Of Swords, we have moved on in history and entered the Middle Ages (after 1066). The concept, in short, is the following: When the Viking Age ended in the year of our Lord 1066, came the long and grim Medieval times.
We are extremely excited about the new album and to release it with the backing of the mighty Napalm Records. Music-wise, the new album has a slightly more modern sound, but we can guarantee it includes all the elements BLOODBOUND is known for! Itโs a diverse record with aggressive songs, epic tracks, and it also contains some of the fastest parts we have written. And on the other hand, we have some slower, majestic songs as well, like, โThe Nine Crusadesโ where UNLEASH THE ARCHERSโ Brittney Slayes duets with Patrik. Field Of Swords has everything you can ask for!โ
BLOODBOUND:
Patrik J. Selleby โ Vocals
Tomas Olsson โ Lead and Rhythm Guitars
Fredrik Bergh โ Keyboards
Henrik Olsson โ Guitars
Anders Broman โ Bass
Daniel Hansfeldt โ Drums
———
๐๐ฟ๐ผ๐บ:
maximumvolumemusic.com/bloodbound-new-video-3/
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
www.youtube.com/watch?v=RW_pZB9UENk
———
#Colderra
#ColderraMusic
#MusicReview
#HeavyMetal
#PowerMetal
#Bloodbound
#TheNineCrusades
Having ridden into their latest battle with their eleventh epic full-length Field Of Swords, Swedish power metal warriors BLOODBOUND have released another video single from the album. โThe Nine Crusadesโ is another historically themed anthem, retelling the titular events in typical BLOODBOUND style: a sweeping blend of melodic and heavy power metal. Joining their conquest is powerhouse vocalist Brittney Slayes of Canadian band UNLEASH THE ARCHERS, dueting with Patrik J. Selleby in a glorious mid-tempo anthem. Not only is โThe Nine Crusadesโ the perfect album closer, but also a powerful herald of whatโs to come.
BLOODBOUND are currently getting ready to share their new songs live. Starting March 12 in Hamburg, they will be on tour supporting label mates ANGUS MCSIX, with additional support from Brainstorm. Their run will take them to eleven cities, ending in Eindhoven on March 22. Following, BLOODBOUND will play European festivals, including mountainous Full Metal Mayrhofen, organized by Wacken Open Air, and Alcatraz Festival in Belgium. Find the full list of dates below!
Fredrik Bergh about โThe Nine Crusadesโ:
โThe major part of this song was actually written by myself and Tomas back in 2018, and it was written especially for the band Sabaton! Joakim Brodรฉn from Sabaton liked the rough demo and wanted to work further on this song together with us, but the collaboration never materialized. I have always felt it was a very strong track, so we decided to record the song ourselves for the new album instead. I am super proud of this song. I feel itโs one of the best songs Iโve ever been involved in writing! The song features the great Brittney Slayes from UNLEASH THE ARCHERS, who sings the song as a duet together with Patrik.โ
Tomas Olsson about โThe Nine Crusadesโ:
โThis song is a summation of the Crusader era, 1096โ1291. During this period nine crusades took place. It is estimated that over 2 million people died.โ
Brittney Slayes about โThe Nine Crusadesโ:
โIt is such an honour to be featured on this BLOODBOUND track; I have been a fan of the band for well over a decade so when they approached me about doing some guest vocals of course the answer was a resounding yes! This song is quite different from what we do in UNLEASH THE ARCHERS, and is not at all like my own writing style, so I was excited to be able sing something new and to put my own spin on it. The whole collaboration had been a blast, and Iโm glad I was able to make it into the music video as well; it was very nice of them to include me. Hopefully the fans enjoy this song and feel I added something worthwhile to this already amazing band!โ
BLOODBOUNDโs latest triumphant march impressively illustrates the importance of purpose and perseverance with heroic tales in shining heavy metal armor. Valiant, vigorous, and ultimately victorious: Field Of Swords has come to expand BLOODBOUNDโs domination of the scene!
Fredrik Bergh on Field Of Swords:
โField Of Swords is a concept album, a continuation from our last album Tales From The North (2023) which touched upon the subject of the Viking era. On Field Of Swords, we have moved on in history and entered the Middle Ages (after 1066). The concept, in short, is the following: When the Viking Age ended in the year of our Lord 1066, came the long and grim Medieval times.
We are extremely excited about the new album and to release it with the backing of the mighty Napalm Records. Music-wise, the new album has a slightly more modern sound, but we can guarantee it includes all the elements BLOODBOUND is known for! Itโs a diverse record with aggressive songs, epic tracks, and it also contains some of the fastest parts we have written. And on the other hand, we have some slower, majestic songs as well, like, โThe Nine Crusadesโ where UNLEASH THE ARCHERSโ Brittney Slayes duets with Patrik. Field Of Swords has everything you can ask for!โ
BLOODBOUND:
Patrik J. Selleby โ Vocals
Tomas Olsson โ Lead and Rhythm Guitars
Fredrik Bergh โ Keyboards
Henrik Olsson โ Guitars
Anders Broman โ Bass
Daniel Hansfeldt โ Drums
———
๐๐ฟ๐ผ๐บ:
maximumvolumemusic.com/bloodbound-new-video-3/
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
www.youtube.com/watch?v=RW_pZB9UENk
———
#Colderra
#ColderraMusic
#MusicReview
#HeavyMetal
#PowerMetal
#Bloodbound
#TheNineCrusades
BLOODBOUND – The Nine Crusades (feat. Brittney Slayes) | Napalm Records
www.youtube.com
New Album, Field Of Swords, Out Now:Order: lnk.to/BloodboundFieldofSwordsFredrik Bergh about โThe Nine Crusadesโ:โThe major part of this song was actu… ๐ฆ๐ถ๐ป๐ด๐น๐ฒ ๐ฎ๐ป๐ฑ ๐ฉ๐ถ๐ฑ๐ฒ๐ผ ๐ฅ๐ฒ๐น๐ฒ๐ฎ๐๐ฒ: ๐ช๐๐ก๐ง๐๐ฅ๐๐ฌ๐๐๐๐ง๐ – ๐๐๐๐ข๐๐ฆ ๐๐ก ๐ง๐๐ ๐๐๐ง๐๐ฅ
With โEchoes In The Afterโ, UK black metal legends WINTERFYLLETH unveil the second single from their upcoming album, The Unyielding Season, out March 27, 2026 via Napalm Records. Inspired by the felling of the Sycamore Gap tree, a landmark near Hadrianโs Wall, and adapted from a poem from Sir Philip Sidneyโs 16th-century epic โThe Countess Of Pembrokeโs Arcadiaโ, โEchoes In The Afterโ is a powerful atmospheric black metal lament to nature and social commentary in one. It comes with an official new music video, visually underlining the lyricism and transforming it into something thatโs visually tangible too.
WINTERFYLLETHโs ninth album is a social commentary wrapped in meticulously crafted poetry and prose. Where the preceding album, The Imperious Horizon (2024), described an ominous, malevolent force lurking in the distance, The Unyielding Season now explores said threat becoming a reality.
Chris Naughton about โEchoes In The Afterโ:
โThe lyric for this song was written as a reaction to the cutting down of the famous โRobin Hoodโ tree at Sycamore Gap on Hadrianโs Wall, in the North East of the UK. The song is about how some people seem to loathe iconic symbols of history and cultural importance that the local community share in, and hold dear. It speaks to a wayward mentality of individuals who would happily see these types of landmark destroyed โ as though nothing is sacred. The lyric paints an image of the land and nature responding to the damage of the tree โ almost like it is reacting to the loss of a limb or of a part of itself. It speaks about the wider area being scarred by this situation โ with the lyric being written like a lament from nature to itself, condemning the demise of such an iconic symbol. A event that felt like it occurred in a cold, oddly curated and premeditated manner. It was an unsettling circumstance that resonated with us all in the band; particularly as we had used the tree as inspiration for the artwork of our 2018 album, โThe Hallowing of Heirdomโ.โ
The raging wildfire to its predecessorโs calculating, icy cold, WINTERFYLLETHโs first offering for their new record label is a reflection and a rebellion against the turmoils tearing individuals apart. The Unyielding Season is a cry against the unsustainable weight of fear and pressure being pushed into the world, by the agents of an unresting, and unyielding force for evil. Where our surroundings grow more challenging every day, WINTERFYLLETH offers a pause for respite and resistance. The world is on fire, and The Unyielding Season is a warning.
Order Your Copy of The Unyielding Season napalmrecords.com/winterfylleth
โHeroes Of A Hundred Fieldsโ is the first revolt on their ten-song manifesto, describing brave minds joining forces against a common oppressor to fight for their freedom. The song unfolds in marvellous grandeur as chants of โRebellions beacons now alightโ, ring out against a tide of evil. With โEchoes In The Afterโ, WINTERFYLLETH delivers a striking epic, while the following track, โA Hollow Existenceโ, opens up with galloping drums and explodes into equally aggressive and atmospheric black metal fireworks. The bandโs trademark sound continues throughout โPerditionโs Flameโ into the albumโs title track, a powerful observation of our worldโs current situation and a voice for those silenced by its hostility. Atmospheric masters WINTERFYLLETH then pause their rage, making room for โUnspoken Elegyโ, an acoustic guitar-driven instrumental enriched by equally hopeful and menacing cello melodiesโa hauntingly beautiful illustration of the dichotomy within The Unyielding Season. โIn Ashen Wakeโ takes up the perilous undertone, taking its time before unveiling itself as another highly melodic black metal saga. โToward Elysiumโ expands on that with a strong, old-school-inspired guitar riff, thrilling and catchy. Following another instrumental, the beautifully structured โWhere Dreams Once Grewโ, WINTERFYLLETH end the album running order with a bonus track, a cover of fellow Brits Paradise Lostโs โEnchantmentโ, originally released as the opening track on their 1995 classic Draconian Times.
WINTERFYLLETH:
Chris Naughton โ Vocals, Guitars
Simon Lucas โ Drums
Mark Doyle โ Bass, Backing Vocals
Mark Deeks โ Keyboard, Synth, Backing Vocals
Russell Dobson โ Lead Guitar, Backing Vocals
———
๐๐ฟ๐ผ๐บ:
www.grimmgent.com/winterfylleth-unveils-new-single-echoes-in-the-after/
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
www.youtube.com/watch?v=CcbIHG2jgsw
———
#Colderra
#ColderraMusic
#MusicReview
#BlackMetal
#Winterfylleth
#EchoesInTheAfter
With โEchoes In The Afterโ, UK black metal legends WINTERFYLLETH unveil the second single from their upcoming album, The Unyielding Season, out March 27, 2026 via Napalm Records. Inspired by the felling of the Sycamore Gap tree, a landmark near Hadrianโs Wall, and adapted from a poem from Sir Philip Sidneyโs 16th-century epic โThe Countess Of Pembrokeโs Arcadiaโ, โEchoes In The Afterโ is a powerful atmospheric black metal lament to nature and social commentary in one. It comes with an official new music video, visually underlining the lyricism and transforming it into something thatโs visually tangible too.
WINTERFYLLETHโs ninth album is a social commentary wrapped in meticulously crafted poetry and prose. Where the preceding album, The Imperious Horizon (2024), described an ominous, malevolent force lurking in the distance, The Unyielding Season now explores said threat becoming a reality.
Chris Naughton about โEchoes In The Afterโ:
โThe lyric for this song was written as a reaction to the cutting down of the famous โRobin Hoodโ tree at Sycamore Gap on Hadrianโs Wall, in the North East of the UK. The song is about how some people seem to loathe iconic symbols of history and cultural importance that the local community share in, and hold dear. It speaks to a wayward mentality of individuals who would happily see these types of landmark destroyed โ as though nothing is sacred. The lyric paints an image of the land and nature responding to the damage of the tree โ almost like it is reacting to the loss of a limb or of a part of itself. It speaks about the wider area being scarred by this situation โ with the lyric being written like a lament from nature to itself, condemning the demise of such an iconic symbol. A event that felt like it occurred in a cold, oddly curated and premeditated manner. It was an unsettling circumstance that resonated with us all in the band; particularly as we had used the tree as inspiration for the artwork of our 2018 album, โThe Hallowing of Heirdomโ.โ
The raging wildfire to its predecessorโs calculating, icy cold, WINTERFYLLETHโs first offering for their new record label is a reflection and a rebellion against the turmoils tearing individuals apart. The Unyielding Season is a cry against the unsustainable weight of fear and pressure being pushed into the world, by the agents of an unresting, and unyielding force for evil. Where our surroundings grow more challenging every day, WINTERFYLLETH offers a pause for respite and resistance. The world is on fire, and The Unyielding Season is a warning.
Order Your Copy of The Unyielding Season napalmrecords.com/winterfylleth
โHeroes Of A Hundred Fieldsโ is the first revolt on their ten-song manifesto, describing brave minds joining forces against a common oppressor to fight for their freedom. The song unfolds in marvellous grandeur as chants of โRebellions beacons now alightโ, ring out against a tide of evil. With โEchoes In The Afterโ, WINTERFYLLETH delivers a striking epic, while the following track, โA Hollow Existenceโ, opens up with galloping drums and explodes into equally aggressive and atmospheric black metal fireworks. The bandโs trademark sound continues throughout โPerditionโs Flameโ into the albumโs title track, a powerful observation of our worldโs current situation and a voice for those silenced by its hostility. Atmospheric masters WINTERFYLLETH then pause their rage, making room for โUnspoken Elegyโ, an acoustic guitar-driven instrumental enriched by equally hopeful and menacing cello melodiesโa hauntingly beautiful illustration of the dichotomy within The Unyielding Season. โIn Ashen Wakeโ takes up the perilous undertone, taking its time before unveiling itself as another highly melodic black metal saga. โToward Elysiumโ expands on that with a strong, old-school-inspired guitar riff, thrilling and catchy. Following another instrumental, the beautifully structured โWhere Dreams Once Grewโ, WINTERFYLLETH end the album running order with a bonus track, a cover of fellow Brits Paradise Lostโs โEnchantmentโ, originally released as the opening track on their 1995 classic Draconian Times.
WINTERFYLLETH:
Chris Naughton โ Vocals, Guitars
Simon Lucas โ Drums
Mark Doyle โ Bass, Backing Vocals
Mark Deeks โ Keyboard, Synth, Backing Vocals
Russell Dobson โ Lead Guitar, Backing Vocals
———
๐๐ฟ๐ผ๐บ:
www.grimmgent.com/winterfylleth-unveils-new-single-echoes-in-the-after/
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
www.youtube.com/watch?v=CcbIHG2jgsw
———
#Colderra
#ColderraMusic
#MusicReview
#BlackMetal
#Winterfylleth
#EchoesInTheAfter
WINTERFYLLETH – Echoes In The After (Official Video) | Napalm Records
www.youtube.com
Pre-Order "THE UNYIELDING SEASON" here: lnk.to/Winterfylleth-TheUnyieldingSeason Out on March 27th, 2026 via Napalm RecordsDirected by Killian MonsonC… ๐ฆ๐ถ๐ป๐ด๐น๐ฒ ๐ฅ๐ฒ๐น๐ฒ๐ฎ๐๐ฒ: ๐ฆ๐๐ฃ๐จ๐๐ง๐จ๐ฅ๐ – ๐ง๐๐ ๐ฃ๐๐๐๐
The end has just begun.
Sepultura are due to kick off their final North American tour later this year, and theyโll have new tunes for the stage along with some of their greatest hits. Today (February 26th), the metal legends unveiled a single called โThe Place,โ which is the first epic taste of their forthcoming EP, The Cloud of Unknowing.
The track arrived on streamers earlier today, and initially unfolds as an eerie fever dream fantasy of slow-gloom chunking, while Derrick Green howls over fractured relationships and betrayal (โWhy don’t you respect me?/I deserve some dignityโ). The song progressively moves towards a double-kicked mid-section, and ultimately goes ballistic for a heroically ripping thrash finale.
โWhat a special day. Our newest single โThe Placeโ is out today on all platforms,โ drummer Greyson Nekrutman, who joined the band in 2024, revealed in an Instagram reel www.instagram.com/reels/DVObJHHDmPy/ which seemingly teases a forthcoming, live clips-loaded music video. โTo add my own contribution to the historic and monumental catalog of Sepultura is something Iโve dreamed of and today is the start of that.โ
An exact ETA for The Cloud of Unknowing hasnโt been delivered by the band just yet, but vinyl copies of the EP can be copped as part of a VIP Upgrade package tix.soundrink.com/tours/sepultura for their next tour. The EP follows 2020 full-length effort Quadra.
UPDATE: Sepultura have now confirmed that their 4-song The Cloud of Unknowing will be out in the wild April 24th via Nuclear Blast. The band also unveiled that previously-teased video, which you can now see up above. Green added in a statement that his lyrics concern โimmigrants who have come to a place seeking refuge and start a new life,โ yet find ideological complications along the way.
He added: โOnce assimilated into a false sense of security and relentless propaganda they [begin] to act out against what they hate about themselves. The transition begins to escape from the self hatred and the lashing out against people who believed in the same ideas. I feel the lyrics truly follow the transitions of the song. Starting with disappointment and arriving at anger.โ
As previously reported, Sepulturaโs final round of North American dates begin April 29th at Montclair, New Jerseyโs Wellmont Theater. The month-long trek sees them joined on the road by Exodus, Biohazard and Tribal Gaze. Youโll find the routing info here www.revolvermag.com/events/sepultura-announce-final-north-american-tour/
———
๐๐ฟ๐ผ๐บ:
www.revolvermag.com/music/hear-sepulturas-thrashy-new-song-the-place/
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
www.youtube.com/watch?v=o7anH4l8Ipc
———
#Colderra
#ColderraMusic
#MusicReview
#ThrashMetal
#DeathMetal
#Sepultura
#ThePlace
The end has just begun.
Sepultura are due to kick off their final North American tour later this year, and theyโll have new tunes for the stage along with some of their greatest hits. Today (February 26th), the metal legends unveiled a single called โThe Place,โ which is the first epic taste of their forthcoming EP, The Cloud of Unknowing.
The track arrived on streamers earlier today, and initially unfolds as an eerie fever dream fantasy of slow-gloom chunking, while Derrick Green howls over fractured relationships and betrayal (โWhy don’t you respect me?/I deserve some dignityโ). The song progressively moves towards a double-kicked mid-section, and ultimately goes ballistic for a heroically ripping thrash finale.
โWhat a special day. Our newest single โThe Placeโ is out today on all platforms,โ drummer Greyson Nekrutman, who joined the band in 2024, revealed in an Instagram reel www.instagram.com/reels/DVObJHHDmPy/ which seemingly teases a forthcoming, live clips-loaded music video. โTo add my own contribution to the historic and monumental catalog of Sepultura is something Iโve dreamed of and today is the start of that.โ
An exact ETA for The Cloud of Unknowing hasnโt been delivered by the band just yet, but vinyl copies of the EP can be copped as part of a VIP Upgrade package tix.soundrink.com/tours/sepultura for their next tour. The EP follows 2020 full-length effort Quadra.
UPDATE: Sepultura have now confirmed that their 4-song The Cloud of Unknowing will be out in the wild April 24th via Nuclear Blast. The band also unveiled that previously-teased video, which you can now see up above. Green added in a statement that his lyrics concern โimmigrants who have come to a place seeking refuge and start a new life,โ yet find ideological complications along the way.
He added: โOnce assimilated into a false sense of security and relentless propaganda they [begin] to act out against what they hate about themselves. The transition begins to escape from the self hatred and the lashing out against people who believed in the same ideas. I feel the lyrics truly follow the transitions of the song. Starting with disappointment and arriving at anger.โ
As previously reported, Sepulturaโs final round of North American dates begin April 29th at Montclair, New Jerseyโs Wellmont Theater. The month-long trek sees them joined on the road by Exodus, Biohazard and Tribal Gaze. Youโll find the routing info here www.revolvermag.com/events/sepultura-announce-final-north-american-tour/
———
๐๐ฟ๐ผ๐บ:
www.revolvermag.com/music/hear-sepulturas-thrashy-new-song-the-place/
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
www.youtube.com/watch?v=o7anH4l8Ipc
———
#Colderra
#ColderraMusic
#MusicReview
#ThrashMetal
#DeathMetal
#Sepultura
#ThePlace
SEPULTURA – The Place (OFFICIAL LYRIC VIDEO)
www.youtube.com
New Sepultura ‘The Cloud of Unknowing’ out April 24th, 2026. Pre-Save/Pre-Order here: sepultura.bfan.link/cloud-unknowing.yde Listen to ‘The Place’ n… ๐๐น๐ฏ๐๐บ ๐ฅ๐ฒ๐๐ถ๐ฒ๐: ๐๐ข๐ฉ๐๐๐๐ง๐๐ฆ โ ๐ข๐จ๐ง๐ฆ๐ง๐๐ก๐๐๐ก๐ ๐ฃ๐ข๐ช๐๐ฅ
Japanโs shred-happy power metal quintet returns with their fifth album, and first since 2023โs Judgement Day. In a sign that many of these more โhigh-profileโ Japanese acts are taking their sound internationally, itโs also their first album for Napalm Records, which should undoubtedly bring them to a much wider audience as word spreads. But how does Outstanding Power sound, as an album with the potential to really smash down some doors for the band? If you know the group, you probably have a pretty good idea of it and they check off all of the expected boxes with the usual passion and flair.
To get the one really tiny nitpick out of the way, which has been more of a constant personal nag with this group since the beginning, thereโs simply a lot to digest in one sitting. Judgement Day seemed to remedy that a bit, but here we are again with a titanic 64-minute runtime once again. But in the bandโs defense, itโs not much of a complaint in the grand scheme of things, and at least theyโve continued to march to the beat of their own drum and provide fans with a sizeable value for their support. Most importantly, this time around, the runtime isnโt nearly as much of an issue as it used to be because theyโve put in some slight tweaks to make it more digestible and they really work.
While the overall Lovebites formula is here and itโs still the main reason that fans have flocked to the group for a decade now, there are some subtle things happening on Outstanding Power that help the group out. They still enjoy shredding their hearts out, as it will become very obvious upon hearing the frenzied and smile-inducing standout gallop of โSilence the Void.โ But in tossing some more โrockโ influences to some of the tracks, and utilizing some more mid-tempo here and there, itโs helped the songs to stand out a tad more individually. The rolling grooves and more drawn out melodies of โDream of Kingโ are a nice palette-cleanser coming off of the righteously blistering stomp of โBlazing Halo,โ which surprisingly clocks in at under 4-minutes and itself features some lively bass work from Fami as well as some unique soloing. Thereโs also a ballad to switch things up right before the end in โEternally,โ which allows Asami to really get out in front of the rest of the group. Then thereโs quite possibly the strongest track on the album in the form of โReaperโs Lullaby.โ A refreshing approach to the riffing with some blackened thrash influences (complete with tremolo melodies), potent gang vocals, and a thunderous drum attack from Haruna, itโs the closest weโve come to an extreme metal cut from the group and it stands out even among their more vicious shredding songs.
But if you are looking for more โclassicโ Lovebites ferocity, thereโs plenty to hear on that front as well. The guitar team of Midori and Miyako once again bring out the instrumental fireworks, with the one-two combo of โPhoenix Rises Againโ and โOut of Controlโ offer a fine showcase in the middle of the album, even as the latter song brings in some notable rock elements to bring in a slightly modified take. To that end, โThe Eve of Changeโ also delivers a gorgeous melodic solo that pairs nicely with a more emphasized chorus that helps the song to shift some gears from the songs before it. Of course, the band ends it on a triumphant ripper with โOne Will Remain,โ which feels like a final call to arms after the extended melodic ballad that precedes it and it doesnโt hold back any bells & whistles in terms of the guitar heroics.
Itโs another lengthy journey from Lovebites, but it does seem that as they continue forward, these little refinements to their approach make for a more memorable album. As it continues to carry the essence of the group forward, Outstanding Power should serve as a note to how bands can continue to refine their approach to make it stronger without losing their core sound. This is just the type of album that should allow Lovebites to keep rising up with buzz within the metal world, and with an accessibility that they havenโt managed to capture on an international level to this date. This should please veteran fans as well as offer an olive branch to anyone who might have been on the fence before this.
———
๐๐ฟ๐ผ๐บ:
deadrhetoric.com/reviews/lovebites-outstanding-power-napalm/
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
music.youtube.com/playlist?list=OLAK5uy_mDY7AjjDAhE8d7wR5rv5JYuML3lkrLu4o
———
#Colderra
#ColderraMusic
#MusicReview
#HeavyMetal
#PowerMetal
#Lovebites
#OutstandingPower
Japanโs shred-happy power metal quintet returns with their fifth album, and first since 2023โs Judgement Day. In a sign that many of these more โhigh-profileโ Japanese acts are taking their sound internationally, itโs also their first album for Napalm Records, which should undoubtedly bring them to a much wider audience as word spreads. But how does Outstanding Power sound, as an album with the potential to really smash down some doors for the band? If you know the group, you probably have a pretty good idea of it and they check off all of the expected boxes with the usual passion and flair.
To get the one really tiny nitpick out of the way, which has been more of a constant personal nag with this group since the beginning, thereโs simply a lot to digest in one sitting. Judgement Day seemed to remedy that a bit, but here we are again with a titanic 64-minute runtime once again. But in the bandโs defense, itโs not much of a complaint in the grand scheme of things, and at least theyโve continued to march to the beat of their own drum and provide fans with a sizeable value for their support. Most importantly, this time around, the runtime isnโt nearly as much of an issue as it used to be because theyโve put in some slight tweaks to make it more digestible and they really work.
While the overall Lovebites formula is here and itโs still the main reason that fans have flocked to the group for a decade now, there are some subtle things happening on Outstanding Power that help the group out. They still enjoy shredding their hearts out, as it will become very obvious upon hearing the frenzied and smile-inducing standout gallop of โSilence the Void.โ But in tossing some more โrockโ influences to some of the tracks, and utilizing some more mid-tempo here and there, itโs helped the songs to stand out a tad more individually. The rolling grooves and more drawn out melodies of โDream of Kingโ are a nice palette-cleanser coming off of the righteously blistering stomp of โBlazing Halo,โ which surprisingly clocks in at under 4-minutes and itself features some lively bass work from Fami as well as some unique soloing. Thereโs also a ballad to switch things up right before the end in โEternally,โ which allows Asami to really get out in front of the rest of the group. Then thereโs quite possibly the strongest track on the album in the form of โReaperโs Lullaby.โ A refreshing approach to the riffing with some blackened thrash influences (complete with tremolo melodies), potent gang vocals, and a thunderous drum attack from Haruna, itโs the closest weโve come to an extreme metal cut from the group and it stands out even among their more vicious shredding songs.
But if you are looking for more โclassicโ Lovebites ferocity, thereโs plenty to hear on that front as well. The guitar team of Midori and Miyako once again bring out the instrumental fireworks, with the one-two combo of โPhoenix Rises Againโ and โOut of Controlโ offer a fine showcase in the middle of the album, even as the latter song brings in some notable rock elements to bring in a slightly modified take. To that end, โThe Eve of Changeโ also delivers a gorgeous melodic solo that pairs nicely with a more emphasized chorus that helps the song to shift some gears from the songs before it. Of course, the band ends it on a triumphant ripper with โOne Will Remain,โ which feels like a final call to arms after the extended melodic ballad that precedes it and it doesnโt hold back any bells & whistles in terms of the guitar heroics.
Itโs another lengthy journey from Lovebites, but it does seem that as they continue forward, these little refinements to their approach make for a more memorable album. As it continues to carry the essence of the group forward, Outstanding Power should serve as a note to how bands can continue to refine their approach to make it stronger without losing their core sound. This is just the type of album that should allow Lovebites to keep rising up with buzz within the metal world, and with an accessibility that they havenโt managed to capture on an international level to this date. This should please veteran fans as well as offer an olive branch to anyone who might have been on the fence before this.
———
๐๐ฟ๐ผ๐บ:
deadrhetoric.com/reviews/lovebites-outstanding-power-napalm/
๐๐ต๐ฒ๐ฐ๐ธ ๐๐ต๐ถ๐ ๐ผ๐๐:
music.youtube.com/playlist?list=OLAK5uy_mDY7AjjDAhE8d7wR5rv5JYuML3lkrLu4o
———
#Colderra
#ColderraMusic
#MusicReview
#HeavyMetal
#PowerMetal
#Lovebites
#OutstandingPower
Outstanding Power – Album by LOVEBITES
music.youtube.com
Listen to Outstanding Power by LOVEBITES on YouTube Music – a dedicated music app with official songs, music videos, remixes, covers, and more.
Happy metal weekend.. for all of you who still exist in this mortal world!
METAL OPERA Chapter 1: The Melodic Metallers
Mow available on @audiomack
For more information you can contact the following accounts:
@metaloperamedia
@oridistromedia
@sembranix
https://goo.su/wBUAKQ
METAL OPERA Chapter 1: The Melodic Metallers
Sudah tersedia & mengudara di @Bandcamp
Info lanjut mengenai kompilasi ini dan jika ada hal lain yang ditanyakan atau disampaikan bisa menghubungi akun berikut:
@metaloperamedia
@oridistromedia
@sembranix
https://s.id/1YRzA
METAL OPERA Chapter 1: The Melodic Metallers [T-Shirt]
For ordering or purchasing & more information, contact us through various channels available on our website! You can also contact the following accounts:
@metaloperamedia
@oridistromedia
@sembranix
https://goo.su/RFzYE
#Update
METAL OPERA Chapter 1: The Melodic Metallers
Details: Compilation | CD | Jewel Case
Label: Gerbang Sembilan
Country: Indonesia
Released: 2023
Classification: First Press | 500 copies
#GIX
#GerbangIX
#GerbangSembilan
#RecordLabel
#MusicPublisher
#Website #Page #Release #Update
METAL OPERA Chapter 1: The Melodic Metallers
Type: Compilation
Format: CD
Model: Jewel Case
Release Date: November 27, 2023
Catalog ID: GIX-MO.CD-001
#GIX
#GerbangIX
#GerbangSembilan
#RecordLabel
#MusicPublisher
METAL OPERA Chapter 1: The Melodic Metallers [CD Album]
For ordering or purchasing & more information, contact us through various channels available on our website! You can also contact the following accounts:
@metaloperamedia
@oridistromedia
@sembranix
https://goo.su/mgKdIr
METAL OPERA Chapter 1: The Melodic Metallers [CD Album]
For ordering or purchasing & more information, contact us through various channels available on our website! You can also contact the following accounts:
@metaloperamedia
@oridistromedia
@sembranix
https://goo.su/hthjjd
#Post3
METAL OPERA & GERBANG IX, collaborated to release a compilation album, with the title “METAL OPERA Chapter 1: The Melodic Metallers”
https://gerbangsembilan.com
https://goo.su/i4yl
#MetalOpera
#MetalOperaWebzine
#GIX
#GerbangIX
#GerbangSembilan
#Discography #Update
METAL OPERA Chapter 1: The Melodic Metallers
Compilation Album
Released on November 27, 2023
Distributed & Published by Gerbang Sembilan
https://www.colderra.com/discography/
#Colderra
#ColderraMusic
#PowerMetal
#SpeedMetal
#HeavyMetal
#MetalOpera
#GerbangSembilan
